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SaitenKlänge - easier compositions

Hoche, Hubert Kram, Christian FP Hoch, Peter Michael, Frank Diegelmann, Udo Merz, Willy Thoma, Xaver Paul Lienenkämper, Stefan

guitar

editor: Olaf Van Gonnissen

 

Pieces: 

Udo Diegelmann: Argentina parece chino, El boracho

Peter Hoch: short stories-4 kurze Stücke

Hubert Hoche: Template I

Christian FP Kram: verflogen

Stefan Lienenkämper: Das gelbe Buch

Willy Merz: Chant de l´albatros noir

Frank Michael: Traumbagatelle

Xaver Paul Thoma: Melodia  

sample copy

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Etudes and collection of etudes of the late 18. and 19. century taken from the repertoire for violin and violoncello. The pieces have been arranged according to the contemporary demands of technique and sound and the range of the modern flute.
Content: etudes by Ferdinand David (1810 – 1873), Jakob Dont (1815 – 1888), Federigo Fiorillo (1755 – 1823), Auguste-Joseph Franchomme (1808 – 1884), Johann Wenzel Kalliwoda (1801 – 1866), Hubert Léonard (1819 – 1890), including hints about practising. Edited by Mathias von Brenndorff
 
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Flöte aktuell / 01-2018
Demanding etudes through the circle of fifths, lines, jumps, changing of registers and the upper range of the flute are asked and the practising player will be rewarded for his effort. What is good for violinsts, can be even better for fluteplayers.
 
Tibia / 03-2019
Both collections of etudes (MB001 and MB003) are a valuable addition for professional and early professional flutists, but also for - they exist as well -  virtuos amateurs. Highly recommeded!
 

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18 Etudes for flute (David Popper)
Brenndorff, Mathias von
article nr.MB002

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Compositions by David Popper (1843–1915) Selected etudes from the collection of 40 etudes for violoncello by David Popper (1843 - 1913).
The pieces have been arranged according to the contemporary demands of technique and sound and the range of the modern flute. Edited by Mathias von Brenndorff
 
RECENSION:
Flöte aktuell / 01-2018
Demanding etudes through the circle of fifths, lines, jumps, changing of registers and the upper range of the flute are asked and the practising player will be rewarded for his effort. What is good for violinsts, can be even better for fluteplayers.
 

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